The FUJIFILM GFX 50S delivers the world’s best image quality. FUJINON GF 23mm F4 R WR. At ISO 51,200, the Fuji GFX 50S takes the crown as king of the 8 x 10 inch print! The rear monitor on the GFX 50S can be tilted in three ways just like … I have practically no complaints on the menu system, aside from one bug that has been annoying me forever on all X-series cameras – inability to go back the last state when navigating the setup menu options. Be aware the Phase One camera does not produce in-camera JPEGs, requiring the use of computer software (in this case we used Phase One's Capture One at default settings), so this is another reason this comparison is unfair but still interesting. The star of the day, however, was the new GFX system with its near three-dimensional 50-megapixel resolution. And since Fuji did not want to make the camera any taller than a DSLR, the decision was made to extend the back of the camera. It’s certainly miles ahead of your average five-hundred-buck full frame camera lens. Noise in flatter areas is more visible from the Phase One already here at base ISO though, even at its lower base sensitivity of 50. The GFX appears more than a stop better in terms of noise, and still produces a much sharper (even though sharpening tends to exacerbate noise) and clearer image with far fewer noise reduction artifacts. Here we compare the medium format Fuji GFX 50S with the full-frame Canon 5DS R at base ISO. This level of image quality is purely motivational. Fujifilm GFX 100 and GF 50mm f/3.5 R WR LM (40mm equivalent). Additional notes regarding these and the recently announced Fuji GF lenses can be found in the next few pages. An 11 x 14 inch print just passes muster, which is still quite remarkable. And again, the leaf pattern in our tricky red-leaf swatch has been blurred more by the Pentax's default noise reduction. Also, if the camera was turned off and turned back on, the last menu system selection is never retrieved either. Thanks to its focal plane shutter and a relatively short flange distance, it is also possible to adapt many different lenses from other systems, the advantage the X1D cannot compete with. As you can see, the sensor on the Fuji GFX 50S (just like on the Pentax 645Z and the Hasselblad X1D-50c), is significantly smaller compared to the medium format sensor found on the Hasselblad H6D-100c. Personally, I love the way Fuji designed its menu system. The series starts here. I think the simpler explanation is that the massive battery, which is almost twice the width of the NP-W126 battery used on X-series cameras, could not fit anywhere else in the camera. Those images were process using Lightroom’s default settings, except for Exposure. Fujifilm's 3.00 firmware update adds a new Pixel Shift Mult-Shot mode to its GFX 100 camera that works alongside a new Pixel Shift Combiner program to output 400MP Raw images made up from 16 individual still images. Hasselblad and Fuji got quite a bit of buzz in 2016 when they introduced the first mirrorless medium format cameras. The Fuji GFX 50S and Pentax 645Z use very similar if not identical sensors, so it's no surprise they both resolve very similar levels of detail. Generally, larger sensors have better handling of noise, potentially better dynamic range, better colors and with the right set of lenses, can produce beautifully rendered photographs. Here at ISO 3200, we'd recommend stopping right at 30 x 40 inches; any larger and noise might become an issue. Fujifilm GFX 50S Users. Fujifilm has continuously pursued image quality as a leading photographic manufacturer. Unlike standard LCDs on other cameras that have information “burned” into them, the top LCD on the GFX 50S is very flexible, so you can fully customize the presentation information from the camera menu if you would like (Setup -> Screen Set-Up -> Sub Monitor Setting). Sample Images February 6, 2020 By JimK 8 Comments. Keep in mind this is with default settings, so it's possible with some careful processing the added resolution provided by the 100MP will allow you to apply stronger noise reduction while still retaining better detail, but the Fuji still comes out ahead in terms of noise when you simply resample the Phase One image down to the same 51 megapixel size. Even when you are shooting only in RAW, the camera records 12-megapixel thumbnails at the same time. Both show similar levels of noise, however the Fuji's grain pattern is a bit more regular and film-like. Again, the Fuji GFX 50S bests the Sony A7R II in this comparison at ISO 3200, producing a cleaner, crisper, more detailed image with better color and fewer noise reduction artifacts. ISO 50 through 1600 images are stunningly detailed with amazingly clean noise characteristics as ISO rises, making the medium-format GFX capable of producing crisp, clear prints all the way up to 30 x 40 inches. bigger. However, if the strap is down, you will need to move it upwards to access the side doors. So if you wear a strap, you would be OK changing memory cards as long as the camera is hanging off your neck or shoulder. Talk about an absolutely stunning performance in our print quality analysis. Just like the Hasselblad X1D-50c, the Fuji GFX 50S features a 50 MP Sony-made medium format sensor that we had previously seen on the Pentax 645Z. The “Drive” modes on the GFX 50S are moved to a small button to the right of the shutter speed dial, while a tiny button on the bottom left of the top LCD is there to reverse the colors of the LCD when shooting in dark conditions. Let’s go over the camera body in more detail. The Phase One's image is much grainier and default noise reduction distorts fine detail and edges more than the GFX. 100% crop. We will first start with the front of the camera. The bad thing is, the metal ears get in the way of the side doors – both for accessory and memory card doors. Sep 21, 2017 - Fujifilm GFX 50S Mirrorless Medium Format Camera Body. These are a bit awkward to access when shooting, but I cannot see a better place to put them. First, since the GF lenses use fly-by-wire focusing, the focusing state would not get saved when playing back images or turning off the camera. There is aliasing in all of the images, so the lens should be plenty sharp enough. Ahead of our full review, here are some sample images taken with a final production version of the brand new Fujifilm GFX 50S medium format camera, using the GF 23mm f/4, 45mm f/2.8, 63mm f/2.8 and 110mm f/2 lenses. The difference is certainly visible in images, but it is very marginal. Considering that one can get a new camera with an APS-C sensor for around ~$500 nowadays, does it make sense to move up to a Hasselblad H6D-100c that costs $33 thousand dollars? FotodioX Nikon F to Fuji GFX 50S Adapter Review, Z6 II vs. Z7 II – advice on which one better for enthusiast level, To watermark or not to watermark on prints, Full-Frame is 236% as large as APS-C and typically 2x-4x as expensive, Medium Format Small (Fuji GFX 50S, Pentax 645Z and Hasselblad X1D-50c) is 167% as large as full-frame and typically 3x-4x as expensive, Medium Format Large (Hasselblad H6D-100c) is 149% as large as Medium Format Small and 3x-4x as expensive, Extended ISO Sensitivity: 50, 25,600-102,400, Electronic Shutter: 60 minutes to 1/16000, Viewfinder: 3.69M-dot OLED Color Viewfinder, Autofocus System: Contrast Detection Only, LCD Screen: 3.2 inch, Approx. And we are not just talking about half-useful vertical tilting, but also side tilting (similar to what we have previously seen on other X-series cameras like the X-T2), which can be very handy when shooting in vertical orientation hand-held or off a tripod. Once again, the Fuji shows lower chroma noise in the shadows, but the Sony does a better job at reproducing the offset printing coloration in the mosaic crop. However, for those who want to have the best image quality and do not mind the much higher price premium, medium format cameras certainly do have an edge over full-frame cameras. Once the camera powered up and EVF turned on, it would display white horizontal blocks. However, I did come across a potential problem with the modular EVF – out of the two GFX 50S cameras that I used in the past 6 months, one EVF started to malfunction after just two months of use. 2,360K-dot Tilt-Type Color LCD Monitor, Weight: 920g (Camera Body, battery and EVF attached), Dimensions: 147.5mm (W) x 94.2mm (H) x 91.4mm (D). There is a huge cost premium involved when moving up to the largest 53.5mm x 40mm sensors too (for example, the Hasselblad H6D-100c retails for $33K, far more than what the GFX 50S goes for). While the three medium format cameras technically have more resolution than any other full-frame camera on the market (the closest in resolution is the Canon 5DS / 5DS R), it is not the resolution, but the sensor size that plays a huge role in the overall image quality of a system. I am not sure if I just got unlucky with one of the sample units, but it could definitely be a concern for a potential owner. ISO 102,400 images, alas, finally hit a point of too much noise and too little detail for us to consider acceptable. This obviously would require Fuji to redesign the EVF to be shorter in length and possibly increase the vertical size of the camera (since the EVF would have to be made a bit taller), but I would rather have a slightly taller, but slim camera, than one that is even deeper than my Nikon DSLRs. To be honest, I do not know why Fuji even bothered providing audio ports, since the camera is crippled to 1080p video recording anyway. Buy FUJIFILM GFX 50S Medium Format Mirrorless Camera (Body Only) featuring 51.4MP 43.8 x 32.9mm CMOS Sensor, X-Processor Pro Image Processor, Removable 3.69m-Dot OLED EVF, 3.2" 2.36m-Dot Tilting Touchscreen LCD, 117-Point Contrast-Detection AF System, Extended ISO 50-102400, 3 fps Shooting, Full HD 1080p Video Recording at 30 fps, Multi Aspect Ratio Shooting, Film … Interestingly, the Canon produces higher contrast in our tricky red-leaf swatch. Imaging Resource © 1998 - 2020. Both are large and tall, which is particularly useful when using the camera with gloves in cold temperatures. Colors are also slightly less vibrant. The “edgy” retro look of the camera, along with the extruded LCD just don’t look good on such a large camera body in my opinion. Although the sensor is excellent in every way (as I have described in my Pentax 645Z review), Sony simply decided to resell existing sensor technology to three different manufacturers: Pentax, Hasselblad, and Fuji. GF23mm F4 GF45mm F2.8 GF63mm F2.8 GF110mm F2 GF120mm F4 Macro GF250mm F4 GF32-64mm F4 GFX 50S GFX 50R GFX 100 While jumping from an APS-C sensor to medium-format would be huge, moving up from full-frame to medium format is not going to show night and day differences in image quality. Here at ISO 6400, the Fuji continues to produce a noticeably cleaner, crisper and more detailed JPEG than the Pentax with a tighter noise grain and better color as well, but again that's mostly due to better processing from the Fuji as RAW files contain similar noise characteristics. November 2019 Better Pictures Fuji GFX System GF Lenses Sony LEICA Zeiss Nikon Canon All.
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